Russian architecture
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Russian architecture follows a tradition whose roots were established in
the Eastern Slavic state of Kievan Rus. After the fall of Kiev, Russian
architectural history continued in the principalities of Vladimir-Suzdal,
and Novgorod, and the succeeding states of Muscovy, the Russian Empire,
the Soviet Union, and the modern Russian Federation.Medieval Rus' (988–1230)The medieval state of Kievan Rus' incorporated parts of what is now
Ukraine and was centered around Kiev. Its influence on architectural
tradition extended to the modern states of Russia, Belarus, and Ukraine.
The status of Kievan Rus' as a precursor state to Russia is a somewhat
politically charged issue after the fall of Soviet Union and the
independence of Ukraine and Belarus. |
Although, not strictly "Russian" in the modern sense, as Kievan Rus'
(or Ancient Rus') was the common predecessor of the Russians
Ukrainians and Byelorussians, the great churches of Kievan Rus',
built after the adoption of Christianity in 988, were the first
examples of monumental architecture in the East Slavic lands. The
architectural style of the Kievan state which quickly established
itself was strongly influenced by the Byzantine. Early Eastern
Orthodox churches were mainly made of wood with the simplest form of
church becoming known as a cell church. Major cathedrals often
featured scores of small domes, which led some art historians to
take this as an indication of what the pagan Slavic temples should
have looked like.
The tenth-century Church of the Tithes was the first prominent
building to be made of stone, located in Kiev, Ukraine. The earliest
Kievan churches were built and decorated with frescoes and mosaics
by Byzantine masters. A great example of an early church of Kievan
Rus' was the thirteen-domed Saint Sophia Cathedral in Kiev
(1037-54), but much of its exterior has been altered with time.
Saint Sophia Cathedral in Novgorod (1044-52), on the other hand,
expressed a new style that exerted a strong influence on Russian
church architecture. Its austere thick walls, small narrow windows,
and helmeted cupolas have much in common with the Romanesque
architecture of Western Europe. Even further departure from
Byzantine models is evident in succeeding cathedrals of Novgorod: St
Nicholas's (1113), St Anthony's (1117-19), and St George's (1119).
By the end of the twelfth century the centre of East Slavic
political life had moved from Kiev to the northern principality of
Vladimir-Suzdal. The local churches were built of white stone by
Romanesque masters of Friedrich Barbarossa, whilst their wall
statuary was elaborately carved by craftsmen from Georgia. These
churches mark the highest point of pre-Mongolian Rus' architecture.
The most important churches in Vladimir are the Assumption Cathedral
(built 1158-60, enlarged 1185-98, frescoes 1408) and St Demetrios'
Cathedral (built 1194-97). Another miraculously preserved church is
the graceful Intercession Church on the Nerl (1165), one of the most
charming images of medieval Rus'.
Celebrated as these structures are, the contemporaries were even
more impressed by churches of Southern Rus', particularly the
Svirskaya Church of Smolensk (1191-94). As southern structures were
either ruined or rebuilt, restoration of their original outlook has
been a source of contention between art historians. The most
memorable reconstruction is the Pyatnitskaya Church (1196-99) in
Chernigov(modern Chernihiv, Ukraine), by Peter Baranovsky.
Secular architecture of Kievan Rus' has scarcely survived. Up to the
twentieth century, only the Golden Gates of Vladimir, despite much
eighteenth-century restoration, could be regarded as an authentic
monument of the pre-Mongolian period. In the 1940s, the
archaeologist Nikolai Voronin discovered the well-preserved remains
of Andrei Bogolyubsky's palace in Bogolyubovo, dating from 1158-65. |
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